Cheap Price Nikon D4 16.2 MP CMOS FX Digital SLR with Full 1080p HD Video (Body Only) for sale in USA
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Availability: Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your credit card will not be charged until we ship the item. 4 new or used available from $5,999.00 Average customer review: (10 customer reviews) |
Product Description
The FX-format Nikon D4 Digital SLR Camera provides professional photographers with a powerful tool that redefines the boundaries of DSLR versatility, while maintaining superior image quality and high speed performance. The D4 enables not only new opportunities in low-light photography, but also provides photographers with added shutter speed and aperture freedom with a base ISO sensitivity range from ISO 200 to a remarkable 12,800. The D4 offers speed and accuracy with a 16.2 MP FX-format CMOS sensor, 10 fps continuous shooting, a 91,000-Pixel RGB sensor and Advanced SRS, improved 51-point AF System, and 1080p HD video at 30p with stereo sound.
Product Details
- Amazon Sales Rank: #251 in Camera & Photo
- Color: Black
- Brand: Nikon
- Model: 25482
- Released on: 2012-03-20
- Dimensions: 6.18" h x 3.58" w x 6.30" l, 2.95 pounds
- Display size: 3.2
Features
- 10/11 frames per second continuous shooting in FX-format for up to 150 frames
- Nikon FX- format (35.9 x 24.0mm) CMOS Sensor with 16.2 effective megapixels
- Full 1080p HD broadcast quality video
- View simultaneous Live View output on external monitors and record uncompressed video via HDMI terminal
- Multi-Area Mode Full HD D-Movie: FX, DX (1.5X crop) and New 1920X1080 (2.7X) Crop modes settings
Editorial Reviews
From the Manufacturer
This new flagship D-SLR offers speed and accuracy with a 16.2 MP FX-format CMOS sensor, 10/11 fps continuous shooting, a 91,000-Pixel RGB sensor and Advanced SRS, improved 51 point AF System, ISO expanded to 204,800 and 1080p video at 30p with stereo sound.
Catch moments others miss
Speed and accuracy in total harmony
D4 offers a level of speed and accuracy that will redefine your notion of the fleeting moment. A carefully selected FX-format 16.2 Megapixel CMOS sensor is paired with Nikon’s powerful EXPEED3 image processor for stunning stills up to 11 fps. A 91,000-Pixel RGB 3D Color Matrix Metering III sensor partners with Nikon’s Advanced SRS to deliver unmatched accuracy in every frame. Add a faster, more responsive 51-point AF system for a camera that can keep pace with you.
Stunning images every time
Superior quality you expect from Nikon
What are speed and accuracy without image quality? Nikon’s FX-format (36.0mm x 23.9mm) CMOS image sensor delivers 16.2 effective megapixels of resolution for exquisite detail. Each of this remarkable sensor’s 7.3-micron pixels is designed to collect maximum light to produce stunning images and video across D4’s broad ISO range of 100 to 12,800 (expandable down to 50 and up to 204,800). Expect the highest image quality in bright and dark shooting. Plus, EXPEED3 image processing yields the most faithful colors, tones and a wide dynamic range.
Enhance stories with HD video
Broadcast-quality and outstanding control
When an assignment calls for broadcast-quality video and audio, D4 is ready. Choose from three Multi-area mode Full HD D-Movie (1080p) video formats: FX, DX or the new 2.7x Crop mode—all at 16:9 aspect ratio. Manual exposure control helps keep the same look from start to finish. Built-in HDMI lets you view footage on an external monitor or record uncompressed 8-bit 4.2.2 footage directly to an external recording device. Even take 2MP stills simultaneously while filming. Attach the ME-1 Stereo Microphone and record high fidelity audio with minimal camera noise. On-screen audio level indicators and a headphone jack help you monitor and adjust audio in 20 incremental steps. D4 takes you from inspiring still to amazing videos with ease.
Complete control and comfort
Designed for an efficient workflow
D4’s remarkable design is the culmination of photographer feedback and Nikon innovation. Adjust AF and AF Area modes without moving your eye from the viewfinder. Quickly select AF points with a new joystick style sub-selector—positioned for both horizontal and vertical shooting. In low-light, all operation buttons and dials are beautifully backlit. Two media card slots offer flexibility and control. Built-in wired LAN and the optional WT-5A Wireless Transmitter enable secure, high-speed file transmission as well as remote camera functionality. Simply put, D4 was built to meet professional demands.
Expand your opportunities
Nikon imaging system compatibility
Draw on the full potential of D4: world-renowned NIKKOR lenses, the Nikon Creative Lighting System, Speedlights, accessories and software. Each impressive FX and DX lens in the NIKKOR lineup is fully tested to deliver sharpness, accuracy and reliability. Bring studio quality lighting to assignments with Nikon Speedlights. Only Nikon offers i-TTL (Intelligent Through The Lens) flash control, which allows Nikon Speedlights to access extensive exposure and metering data from D4 to provide unprecedented levels of flash precision and performance. Nikon’s professional imaging software, and a robust line of compatible accessories will help you expand your capabilities.
Never miss a deadline
The WT-5A Wireless Transmitter
When the world is waiting, being the first to publish makes all the difference. Nikon’s powerful new wireless transmitter, WT-5A, attaches directly to D4 to securely and quickly transfer files.
HTTP Mode: Now you can use the web browser on your iPhone® and/or iPad®** to operate camera controls or begin Live View shooting, including starting and stopping HD video and more.
Image Transmission Mode: Transmit images to an FTP server or computer two times faster than the Nikon WT-4A.
Operate the D4 via Camera Control Pro 2. From one master camera, simultaneously release up to ten remote D4/WT-5A combinations.
**iPhone® and iPad® are are registered trademarks of Apple Inc.
New 51-point AF system
Nikon’s new advanced AF sensor uses 51 strategically placed AF points for faster focus operation by working together like a net to capture moving subjects or individually for pinpoint accuracy. Each of the 51 selectable AF points delivers fast and accurate AF detection to a low light level of -2 EV (ISO 100, 20° C) with every compatible AF NIKKOR lens.
Rich image previewing
D4’s beautiful 3.2-inch, 921,000-dot LCD includes an ambient brightness sensor for maximum visibility and crisp playback, menu adjustment and Live View shooting. Quickly enlarge images and videos up to 46x for spot focus confirmation—crucial for high-resolution shooting.
Our most rugged body yet
To sustain peak performance in the most demanding environments, D4’s body, exterior and mirror box are comprised of strong yet lightweight magnesium alloy. Thorough measures are taken to seal and protect against invasive moisture, dust and electromagnetic interference.
Dual memory card slots (CF and XQD)
Dual memory card slots (one CF and one XQD) Record two full cards of data, the same still image data on both cards for instant backup, RAW on one card and JPEG on the other or transfer data from one card to another. You can even designate one slot for data-heavy HD video recording.
AF detection up to f/8
D4 aligns its 15 cross-type sensors in the center to detect contrast for both vertical and horizontal lines with lenses f/5.6 or faster. The five central points and three points to the left and right of them in the middle line are compatible with f/8.
Multi-Area Full HD D-Movie Video Recording Modes
FX-format renders exquisitely shallow depth of field and wide-angle shooting. DX-format offers a 1.5x crop of the lens focal length, and 1920x1080 Crop format gives you a 2.7x angle of view—ideal for extending lens reach when you can’t get close enough.
91,000-pixel RGB 3D Color Matrix Metering III with Advanced SRS
Face detection using the optical viewfinder and detailed scene analysis using the 91,000-pixel RGB sensor enables superior auto exposure, auto white balance, AF performance and i-TTL flash exposure.
Built-in HDR
Combine two exposures at up to 3EV to create a single image revealing an extremely wide dynamic range but with less noise and richer color gradation than ever before.
Two-axis Virtual Horizon indicator
Determine if the camera is level—horizontally or forward—through the viewfinder or LCD monitor.
New mirror balancer
Minimizes the bounce of the mirror’s down movement, extending viewing time and allowing more time for AF operation—one reason D4 achieves AF and focus tracking even during high-speed continuous shooting.
Intelligent power management
Expect greater operating efficiency thanks to a new, small, high-capacity EN-EL 18 rechargeable Li-ion battery that can deliver up to approximately 2,600 images* per charge.
*Based on CIPA Standard.
View simultaneous Live View output on external monitors and record uncompressed video via HDMI terminal
Check video recording on the camera’s LCD and external monitor simultaneously; ideal for focus pullers and camera operators. When the highest possible image quality is required, you can bypass memory cards and record uncompressed footage directly from the image sensor onto an external recording device.
Time lapse shooting
Set intervals and frame rates in order to dramatically relay slow-moving activity at dramatic speeds. D4 lets you shoot time-lapse photography with replay rates from 24 to 36,000 times faster than normal and save them as movie files.
Two Live View shooting modes
Photography Live View and Movie Live View modes add flexibility; exposure, white balance, monitor hue, histogram, focus mode, AF area mode and focusing accuracy are easily confirmed.
Dedicated Nikon Picture Control button
Quickly access six preset picture control options—Standard, Neutral, Vivid, Monochrome, Landscape and Portrait—and up to nine customizable settings with a single button.
400,000-cycle tested shutter
For the utmost reliability and rigorous performance, D4’s shutter has been tested on fully assembled cameras for 400,000 cycles at extreme continuous burst rates.
Self-diagnostic shutter monitor
Should any shutter variance be detected, D4 automatically corrects and adjusts between the actual shutter speed and correct shutter speed to sustain precision shutter operation throughout the mechanism’s lifespan.
Customer Reviews
Most helpful customer reviews
23 of 23 people found the following review helpful.Fast handling, beautiful images...
By Hankk
I've had this camera a few weeks, and taken a few thousand shots with it. I'm upgrading from a Nikon D700. I'm not a pro, but I do occasional commercial jobs. I'll update this review, but here are my initial thoughts on it.
Vertical orientation: Nice. The vertical grip isn't nearly as contoured as the main horizontal grip -- there's just not as much stuff to grab your hands onto (no deep pockets for your fingertips). Too bad. But when holding it for any length of time, it's sure a lot easier than holding twisting my arm above my head and rotating the camera. Note that the vertical grip has a programmable button on it, which I use for Mode (A/S/M/P). I understand the D3s didn't have this, which seems crazy -- I use it all the time.
I shoot one-handed a lot, at events where I have a flash in one hand an a camera in the other (using a set of PocketWizards). I thought the weight of the D4 would make this harder. But no: when holding it vertically, the D4 is a lot easier to manage than the vertical D700. (I never had a vertical grip for the D700, so I can't compare.) Even holding it horizontally, the larger grip makes it easier to manage the D4 than the D700 one-handedly -- it makes the camera honestly feel substantially lighter. One gripe: the vertical joystick for adjusting the focus point is still a bit too much of a stretch to use with one hand.
Shutter: yep, it's 10 fps. Let it rip! Great for capturing faces of both kids and adults at just the right moment.
General ergonomics and build quality: Great.
Weight: Having never had a pro-sized body before, I feared it'd be too heavy. But no: once you throw a 70-200 2.8 on there, the difference between this and a D700 is pretty small, certainly not a big deal. I carry it around on an Op Tech slider strap bolted into the tripod port, plenty stable and strong.
Battery: 2000+ shots (including lots of live view and some movies), and it's down to half. That's plenty of capacity for me. The charger is a real monster to carry around, about 4x the size of a D700 charger, too big to just slip in a pocket. One BIG PROBLEM: after charging it the second time, I had the camera turned on and sitting out overnight. The next morning, the battery was completely dead. I have no idea what happened -- the D700 never ever did this to me. Was the camera turned so the AF was being pushed all night? Or is there a bug in the auto-off? No idea, but I'll post if it happens again.
Lit up controls: Nikon won't point this out, but they don't *all* light up! Most do, but not the trash, or playback, or EV+-, or Mode, or Live View. Huh? All the buttons on my cell phone lit up 10 years ago. It's not that hard.
XQD card: Fast to write, fast to transfer. I love it. Being able to shoot off dozens of RAWs without stopping is great. Nice of Nikon to include the card and reader (but really, I'm not sure they had any other option here -- the market isn't exactly flooded with these cards).
Live View: Works a million times better than it did on the D700. It's kind of funny though: it now makes the pro-DSLR able to shoot as easily as a $200 point-and-shoot. But whatever: Live View is nice to have. It's fast and intuitive. One advantage that isn't obvious: you can use it to set the focus point to the far corners of the frame, well outside the small area of the sensor covered by the 51-point AF grid. (How I wish Nikon would allow the main AF system to focus in the far corners too: those 51 points still only cover about 20% of the camera's full frame! More in DX mode, but come on, Nikon...)
Focus modes: I was initially bummed to see that the three-position focus-mode switches from the D700 had been removed, replaced by 'software' settings using the main control wheels. But after using them I'm fine with the change, even in favor of it. The number of focus modes has increased (because you can change between 9-, 21-, and 51-point tracking easily now, which were hidden in a menu before), and the design works pretty fast.
The built-in AF motor is noticeably faster than on the D700. Live View mode uses contrast-detection focusing which was ultra-slow on the D700 (especially using motor-driven lenses like the AF-D's), but pretty usable now.
Face Detection (in Live View) works great. It's super easy to get low-angle shots holding the camera away from your body. If the subject moves you'll see a green box on the LCD follow the face around -- it's pretty cool to watch it track. Allegedly Live View also works through the pentaprism. This may be true, but if so it's doesn't give you any obvious feedback on what faces it found. One cool thing about face detection is that it also finds faces on playback (even if face detection wasn't used on that shot). With the right setting, it'll zoom in to just the face on every image, so you can easily check focus on the parts you care about. Super.
Metering modes: Too bad that the three-position metering switch is now an electronic controller, set in the viewfinder. But it turns out to be no big deal, because the metering on the D4 is really an improvement from the D700. I used to have to go to spot metering a lot for faces in the shade, and the auto face-detection now catches that so much better than it used to, that I haven't been using spot metering very much. Really, the new metering is very, very good. It has its quirks though: like, let's say you're taking 10 shots in a row of someone's face. If on one shot they turn or are blocked and the face-recognition doesn't work right, then that shot is likely to be underexposed by a stop relative to the rest in the series. In the end under- or over-exposure by a stop or two is no big deal on this camera if you're shooting RAW, because the files give you tons of leeway to work with to fix the exposure in post. But it's always best to get the exposure right the first time, and the D4 does a better job of that than the D700.
'Quiet' and 'Silent' modes. Quiet mode is indeed a lot quieter than the regular shutter. It seems to move all the mechanical parts slower -- so you hear it for longer, but it's definitely quieter. Limited to 1 fps or so, and it doesn't work in Continuous mode (except if you're in Live View, in which case it does). Silent mode takes 2 MP shots in Live View mode (essentially movie stills - shutter must be between 1/30 and 1/125 sec, and JPEG-only, no RAW). I could see using it occasionally, though I wish the resolution were higher. ** Silent mode is exclusive to the D4, and isn't on the D800.
Image quality: Beautiful... really crisp and sharp and smooth. The D700 was great too.
ISO: It's a stop or two better than the D700. The ultra-high ISO's (like 200,000+ = H4.0) are there, but pretty silly. Even in bright sun, they're so full of noise so as to be useless. In low light they're even worse. (I guess you could use H4.0 if you were trying to monitor license plates of speeding vehicles under moonlight, or something crazy like that... but no normal photographic application is going to use that.) Up to ISO 10,000 or so, images are very clean. Focusing works really well in low-light, better than the D700 for sure. A nice change is that Auto ISO can now be easily turned on/off by holding ISO and rotating the front control knob -- no more going into the menus.
Ethernet connection: Plug in a cable, and the camera has a built-in web server, for doing tethered shooting. Not something I'll use much, but it seems to work. No additional software needed -- just a web browser.
Auto white balance: as advertised, seems to work better than before. No big deal, but a nice bonus. One weirdness though is that the white balance seems to be less consistent than it was before. For instance, shooting outside in the shade, in the past I could set the right WB correction in Aperture and it'd be right-on for every shot in the series. No more -- a good number of individual shots require more hand-tweaking now. This seems like a bug, like maybe the RAW files are getting tagged with the wrong color temp. It could well also be a bug in Aperture's handling of the D4 RAWs; I haven't tried it with Lightroom yet. A bonus with
Display: Better than before. Not really a big deal to me. Minor point: the display itself is polarized such that if you're wearing your polarized Ray Bans, the screen will look dark until you turn it to vertical mode. The D700 was polarized, but at a 45 degree angle, so it was still visible in horizontal mode.
Viewfinder: The image looks a bit bigger and fuller than on the D700. Not that big a deal -- I could always see my subject just fine before. Maybe a bit less squinting necessary now.
HDR, timelapse, multiple-exposures: they all work as advertised. Probably won't use them much.
Video: I'm not a video shooter but I tried it out outside under streetlights, where the video was super-clean. Inside with a night light it was a total failure at high ISO's -- too much noise to see anything at all. Others know a lot more about video than me, so read their reviews instead.
Minor operational change: On the D700, the control wheels went dead right after taking a shot, requiring a half-press to wake up the metering system again. On the D4, they stay live after the shutter press. Awesome. This was always a minor annoyance before, and I'm glad it's changed. (Maybe I just never found the right setting on the D700? Please fill me in on the comments if so.)
Flash: There is none. Occasionally I used CLS for remote triggers on the D700 and you obviously can't do that any more. But my PocketWizards work great. I haven't put them through serious testing, but haven't noticed any weirdnesses either. The firmware version is not advertised as D4-compatible yet, but don't sweat it.
Flash exposure: The EV+- and the Flash EV are now separated. It use to be that lowering the camera EV would also lower the flash output (so dropping the background while keeping the subject lit would require two sync'd setting changes). No more. Nikon took after Canon here, good to see. This stuff works fine with the PW's. ** This Flash EV setting (custom e5) is exclusive to the D4. It's not on the D800.
Manual: 456 frikkin' pages. I like camera manuals and this one's pretty well written. It's not literature but it explains the settings clearly enough.
Why not the D800? 50 MB images are too big for me, and I'm not going to be printing any banners or posters from my work anyhow. Almost everything I do goes online. Virtually any camera has enough resolution for me. I'm more interested in handling / ergonomics / ISO / dynamic range / speed, than resolution. If I was doing landscapes instead of people, I'd of course go for the D800 instead.
Is six thousand bucks too much to spend on a camera? Probably. But Nikon bodies remain in high demand, and used prices are high. I can likely sell this in a year or two for not much less than I paid for it. (My three-year-old D700 has only lost 1/3 of its value since it was new, or about a thousand dollars over three years.) Is having a camera like that worth a dollar or two a day to me? Absolutely.
P.S. I'll answer any questions below. And if you found this useful, feel free to click and tell me so!
24 of 27 people found the following review helpful.D4 sets new benchmark
By R. Adams
This will be an ongoing product review and something I will be updating as time goes on.
Ordering from Amazon -
As soon as I saw the news on nikonrumors.com that amazon had opened up the website for D4 orders, I placed mine. Thank you nikonrumors! This was January 6th. Since then, Amazon sent their usual emails informing me that the product was backordered and such. The only problem was amazon.com kept listing March 20th as the release date and March 21st as my "Estimated Shipping Date". Of course this didn't happen. In fact, at least for those that watch dpreview.com, this happened to all amazon.com D4 orders. The only bummer about the whole ordering experience was that the Amazon customer service was pretty much useless and uninformed. In the future, amazon should be quicker to correct their release dates. At least I got the camera..moving on...
Camera shipping from Amazon -
In the past I have been contacted by Amazon concierge to make sure my order was going smoothly. DIdn't happen with the D4. Not a big deal. Camera shipped next day UPS Saver on March 28 and arrived March 29th just past 5pm. Shipped was free due to the release date screw ups. Camera was boxed OK..and it did the job. I would have packed it better..but it arrived ok. Signature required.
D4 contents -
Good news here! The D4 came with the Sony XQS Card Reader and one 16 gig Sony XQS card. Very cool - considering my 32 gig order is still pending. The Card reader and card were in a white envelope placed on top of the camera contents.
Additional contents -
1x EN-EL18 battery
MH-26 Battery charger (charges 2 batteries)
Instructions in both Spanish & English
Warranty Programs
Nikon ViewNX2
Strap
USB cable
Caps - body, hotshot
Clips - USB & body
UF1 & UF2 connectors
D4 Specs (and compared to the D3s) -
Weight - 41.6 oz (D3s 43.7 oz) (Weight difference is noticeable!)
Pixels - 16.2 million (D3s 12.1)
FPS - 10/11 (D3s 9 FPS)
ISO - 100 - 12,800 with lo-1 as 50, HI-4 as 204,800 (D3s 200 - 12,800, Lo-1 100, HI-3 102,400)
Video - Full 1080 HD up to 30 FPS (D3s 720 at 24 FPS)
Monitor size - 3.2 inches (D3s 3.0)
Viewfinder - 100%
Integrated network port
D4 camera (first impressions) -
Ergonomics & Buttons - WOW a lot has changed here. If you are coming from a D3s like me, all sorts of little changes mean some big adjustments. Here is my list of just what I've found so far -
- Metering selector is gone!!! It used to be on the prism and adjusted with your right thumb. Not any more! It is now replacing the "Lock" button and press with your left hand - and adjusted INSIDE the viewfinder.
- Focus Mode Selector - Gone too! The button to toggle between manual and autofocus is still there, but to toggle between C & S is now inside the view finder
- Hand grip is different for both portrait and landscape photos - including a small black piece of rubber attached near the camera bottom
- The camera back - Just looking at the back of the camera has sent me back to the full manual to learn this camera from the beginning. This includes changes to the thumbnails, picture control, and playback buttons and removal of the Area AF mode selector button.
- Overall I like the changes, and love the ability to see changes inside the viewfinder. Might be a while to get my fingers to adapt. Overall it's good.
New D4 Network capabilities -
New to the D4, the camera can do FTP photo and movie uploads, control camera functions from a laptop using an optional software package (Caera Control Pro 2), and take pictures using an iPhone and remote browser. You can also control multiple cameras and do synchronized releases using the WT-5.
New D4 Chips & Batteries -
The battery and XQS memory chips are new to the D4. This means having to spend more money to buy new stuff - as opposed to those that upgraded from the D3 to D3s. Sure it is good for the long term, but is a bit of a pain right now. If you shoot any other camera as well, then you will need to lug about two battery charges. If you don't have a backup camera, you will still need two sets of chips.
Shooting the D4 -
- Quiet shutter option. There is a new shutter setting for a quiet shutter. This is on the command dial next to the high speed shutter release.
- a bump up in FPS is subtle, but nice. I have yet to fully test this, but for shooting motor sports, I like it
- Viewfinder is now 100% and nothing to dislike about this!
- The virtual horizon is now inside the viewfinder! I constantly have to correct my pictures and love this feature. This is used by setting the Fn button in the menu to use the virtual horizon feature. The horizon only works when holding the camera normally - not vertical. Still...great feature and I love it.
ISO -
- The D4 takes pushing up the ISO beyond the D3s. But the difference is minimal as far as I can tell.
Overall (so far) - D4 is every bit as good as the D3s and then some. The upgrades to the buttons are annoying, but I think will really be more useful in the field than the D3s version. The new chips and batteries are just progress in my mind. Not a big deal, just a little more money that has to be spent. I've only had this camera one day (and one night) and plan to add to this as I hit up some car races and concours...
37 of 46 people found the following review helpful.The camera i've always wanted.
By D. KIMBALL
I will attempt to keep this short because there are a lot of reviews of this camera and I only want to give my nonprofessional feedback. I don't take photo's for a living, in fact I take photos of my life which to me is equally as valuable. I am preparing to have children, get married, you know the American dream. I need to capture these precious moments as accurately as I can, this is the reason I purchased the D4.
For me, the low light performance is key - anyone can take decent pictures with point and clicks in the daytime, and most any camera can take excellent creative shots if the user understands his or her camera. What I have a problem with the most is low light photography, taking pictures of friends and family using existing light. I might be in my house, out at a party, or enjoying a camp fire out in the woods. For these situations I need to be able to take clear and accurate photos which to me means increased ISO sensitivity, maintaining freeze frame shutter speeds, and with the combination of the two capturing a crisp and colorful shot each and every time. I can't tell you how many times I've thrown away those perfect moments because of camera shake or overall subject movement. So for the money, I needed something that could do all of this and out of all the cameras I was left with two options, the Nikon D3s and the Nikon D4.
Why the D4 over the D3s? Even though the D3s is 1/6th a stop improved sensor sensitivity I am set on the 16mp over 12mp improvement, set on the dynamic range, set on it being new and an overall improved camera. 30 minutes of 60FPS video capture, better low light metering, better color. For me, this camera has exceeded my expectations and truly captured my imagination and excitement each and every time I go out to shoot.
I have played with every setting so far except the web server via Wi-Fi/Ethernet and the in camera HDR. I prefer to Bracket my HDR shots and post process them, what I love about the speed of this camera is I can bracket all 9 shots hand held in under 1 second - seriously. In fact for continuous shooting this thing is simply impressive, with the XQD card that came with the camera I can take something like 75 shots before the 10 raws per second slows down due to buffer limit being reached.
The colors are amazing, the shutter sounds awesome, I can't tell you how much I love this imaging beast. Thank you Nikon!
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